One of the things I have spoken about with early childhood teams for many years is the importance of noticing smaller changes before we immediately move into correcting behaviour.
A child may begin rubbing their face, pulling at their clothing, chewing something, clenching their hands, becoming louder, hiding in a smaller space, seeking more movement or suddenly finding it much harder to process what we are saying before the larger behaviour appears.
These are the moments that interest me most, because rather than waiting until a child is completely overwhelmed and then asking how we can calm them down, I would much rather we become better at noticing what their body may have been communicating earlier and thinking about whether there was something we could change in the environment, interaction or activity.
I often explain regulation using the idea of a river. There are times when we are moving through a calmer section where we can look around, connect with other people, listen, think, play and cope with small frustrations. Then there are the rapids, where our body is working much harder and our attention becomes much narrower because getting through that moment has become the priority.
Children do not all have the same amount of space in that calmer part of the river, and their capacity is not exactly the same every day either. Temperament, sensory needs, sleep, relationships, stress, illness, life experiences, the environment and what happened before they even walked through the door can all change how much they have available.
When somebody tells me that a child goes from zero to one hundred, I often wonder whether that child was actually already sitting at eighty before the behaviour became obvious to the adults around them.
What happens before the big behaviour?
Before a child reaches the point where we are seeing the behaviour that worries us, there are often smaller body cues that are incredibly easy to miss when we are managing a busy room.
A child might start touching their face more, pulling at their collar, chewing their sleeve, tightening their fists, changing the way they move, becoming much louder or becoming unusually quiet. They may seek upside-down movement, hide under furniture, climb higher, move faster or suddenly struggle to respond to language that they would normally understand.
I do not look at these signs because I expect educators to prevent every difficult emotion or challenging moment. Children are meant to become frustrated, excited, angry, tired and overwhelmed at times, just as adults do.
What I want us to become more confident at doing is noticing when the child may be moving towards the edge of what they can manage and offering support while there is still enough capacity for connection.
Why I do not want regulation to become another instruction
This topic is professional for me, but it is also personal. I grew up with childhood trauma, so I know what it can feel like when your nervous system is already carrying a great deal and somebody gives you one more instruction to follow.
When I was already overwhelmed, somebody telling me to calm down or take ten deep breaths was unlikely to be the thing that suddenly helped my body feel connected again.
Music was different. I played the clarinet for years and I did not think of it as a regulation strategy at the time. I simply knew that I loved it and often felt different while I was playing.
Looking back now, I can see that I was naturally taking deeper breaths, controlling my exhalation, using the muscles around my mouth and throat, concentrating on rhythm and sound and staying connected to something that mattered to me, all without somebody standing beside me repeatedly reminding me that I needed to breathe.
That experience has shaped the way I introduce regulation activities to young children. I do not want a child to feel as though every time they become overwhelmed they are removed from their friends and given a special exercise because their body has become a problem.
I would much rather weave these experiences through play and everyday routines so that buzzing, blowing, singing, squeezing, moving and noticing our body are things everybody gets to experience.